G.MAVRIDIS

In the Inferno, the first part of Italian poet Dante's Divine Comedy epic, Geryon has become the Monster of Fraud..

Geryon ( from the South Stories )

mythology of innocence

what do you see?

the air of Madrid

what is the color of the air?

the color of the air...

i make up the rules as i go along..

the trajectory of an artist cannot be conceived without rigorous ethical requirement

...detached from reality,

I built the myth of innocence,

from a desire to amnesia ..

ZO - GRAFEIN

the act of painting is a form of writing .. painting is a form of writing that creates signs ... mainly painting has been a creation of signs that were always correctly read by contemporaries, after some learning course .. .

There is also a theory about nationality.
as happens in romances , nationality doesn´t exist,
nationality is indeed a romance ..
you see romances are complex, involving more than one person. That means that every detail can be ambiguous

we are in the measure in which we play..our lives

Said of a person or group who has left his native country for personal reasons or due to the circumstantial social reality or environment. And therefore not desired, cannot return. It may be in some cases a way to protest against the country ..
a self-exile ..

people with souls are the ones who make the world move
..

virtue has just left taking along her deep blue color..

a man came .. he was a painter and his eyes were failing.. he said : I used to see what´s behind the faces and behind the hills and the trees and the sea.. I used to see what no one can see and paint what I see.. I lost my faith in it ..

he asked me to cure.. he laughed loudly..

can your faith heal me?.. if so , I will paint your portrait , a portrait of a lie..

if you were a painter of extraordinary talent , then you could paint my authentic and hypocritical portrait..

she says the color of her hair -

she says the color of her eyes ,

she says her occupation ..nothing!!

she is at the kitchen preparing something ..after she is cleaning the dishes..

she is talking about the weather..she is talking on the phone

she takes fotos of herself..she is putting her fotos on her blog

she is at the bed..smiling and reading Corto maltese

when you swim with sharks survive only being the greatest of all ..

sexual antagonism begins practically at birth..

she enters to a room

she meets a guy

she gets undressed

she says

the city is strange..i would like to relax now..come here and lay on me..

the 2 bodys liedown

she says

i can think of someone that he is not here now

that´s why i came..to remember him..but is useless..YOU ARE NOT HIM

it´s a pity

she walks out

him: let me love her and be sensible as well..

the voice :the sensible are never free

she says ..

i smoke a cigarette and i listen the radio,i watch the news , i surf the internet

but i can´t forget what is happening around..

i have enough of the crisis and the banks and the politicians..

they all liers , everywhere..

i don´t beleive nobody

i finish my cigarette i and i try to forget.. everybody ..

y que se van a tomar por a culo.

.but i can´t forget..

i said her she was a beast

she said /

beware of beasts. there is a species which stays alive 3 days after they die..

don´t worry about 2morrow

for 2morrow will worry about itself..

each day has enough trouble of its own..

it´s the women who can hardly wait the widows that scream at the funeral..

she took a sip of her coffee/ she used to be out each night with a different man/ she was doing it for quarters and dimes /which left little sis and me disreputable..

sensuality is nothing without a certain disturbed dragging..

The language (or the thought) is something singular..

extracts from my novel Human Condition (work in progress)

El sujeto, una ¨excusa¨ para responder a la pareja forma- color

European tradition. Monsters and ghosts..
The painter knows that his dreams are cruel and violent..
the demons of the woods are coming every morning and they say terrible stories of love and hate

Multiplicar las capas de las partes inferiores. La duda del resultado es doble: afecta tanto la materia como la forma ilustrada.

La sustancia misma de la obra se vuelve indeterminada.

Transforming intimate ideas

La profundidad infinita de los oscuros, la dilución espacial de los colores-materias, la oscuridad de las texturas, revuelven los limites figurativos y proponen ¨la¨mirada intima justo en el momento del cambio (trans-formarse)...

G.MAVRIDIS

18.45 pm

SEHR SINNLICH, diptych 250 x145 cm (left 115x145 - right 135x145 cm ) , oil , 2013

GREEN MANALISHI , 138 x180 cm, oil , 2013

sunday call , oil , 154 x 180 cm , 2013

TORN CURTAIN, 120 x 160 cm , oil , 2013

RAPTURE, 130 x 180 cm , oil , 2013

le boudoir, 130 x 180 cm , oil , 2013

après la chasse , 130 x 180 cm, oil, 2012

LIBERTY WALKS ALONE , 190 X 150 cm , oil , 2013

KING GEORGE IS COMING , 187 X 155 cm , oil , 2012

PIÑA COLADA, 120 X 155 cm , oil , 2012

Ulysses is doing all right , oil , diptych 230 x 170 cm (135 x 170 each ) , 2012

Geryon , mixed media

le repos , oil , 120 x 155 cm , 2012

like dolphins ,42 x 59 cm, oil & silkscreen printing on paper , 2012 , priv.col. London

Flor , 39 x 65 cm , oil ,2012, priv.col.Paris

What? , 51 x 68 cm, oil, 2012 , priv.col. London

blue eyes, 35 x 35 cm , oil , 2012 , priv.col. Athens

not a rehearsal, 130 x 180 cm , oil , 2012

dinner of hares , 130 x 180 cm , oil , 2012

3 FATES , ATROPOS , 150 x 195 cm , oil , 2012

3 FATES , LACHESIS , 150 x 185 cm , oil , 2012

mythology of innocence

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